“It’s a big issue – people making fake indigenous art, jewelry, copying designs,” says Foreman. “Our traditional makers aren’t making enough income, aren’t being [properly] valued in the traditional marketplace. They gather the mud from the riverside and hand-fire it. It’s hard for that to compete [on price] against someone who’s buying a pot made in a factory and just painting it.” Issuing non-fungible tokens to authenticate items created by IndigiDAO members could be one way to tackle fakes.
Bringing Blockchain to Indigenous Communities
