I always saw the “Vicki Leekx” mixtape as a piece of art rather than a piece of music, just because it was very serendipitous, of everything and events that was going on in the world. It basically just happened. Also, I made the “Maya” album and it got really badly reviewed by everyone, and everyone’s like, “Oh, my God, this is the worst album she’s ever made, she’s completely lost it.” And then I made “Vicki Leekx,” and everyone was like, “Oh my God, this should have been the album, it’s the best thing ever, this is the magnum opus of music at the time.” And I think, to me, it was more to do with the fact that it was part of a collective experience of what was going on in the world.
M.I.A. on Crypto, Assange and Her New Album
